With YANANTIN, painting became an expression of duality and unity. In the Andean philosophy, yanantin represents the harmonious coexistence of opposites—light and shadow, earth and sky, masculine and feminine. Similarly, Zen invites stillness within contrast, showing how balance emerges not from erasing differences but from embracing them.

Through painting, I give form to these ancient truths. Each brushstroke is a meditation, a moment of stillness and focus where I let these philosophies guide me. The canvas becomes a sacred space where opposites meet—bold colors and soft hues, sharp lines and fluid shapes, the physical and the spiritual.

In this process, I find not only harmony but also transformation. Painting is where I reconcile my inner tensions, where I let dualities coexist without conflict. It is where complexity finds simplicity, and simplicity reveals its infinite depth.

Painting is my bridge between thought and feeling, between the visible and the invisible. It allows me to translate the ineffable wisdom of yanantin into something tangible, something that can be shared. It is my way of inviting others into this journey of connection, where they too can reflect on their own dualities and their own harmonies.

Ultimately, painting is my act of gratitude—towards the Andean and Zen traditions that inspire me, towards the materials and tools that bring my visions to life, and towards those who witness and engage with my work. It is my offering to the timeless dance of opposites, my way of saying: I see you. I honor you. I am part of you.

YANANTIN 

(complementarity)

 

 

visual dialogue between the Andean and Zen philosophies, blending the Andean focus on reciprocity, duality, and the sacredness of nature with the Zen emphasis on simplicity, impermanence, and mindfulness. Each painting would invite viewers to reflect on the interconnectedness of life, nature, and the self, embodying both traditions in aesthetic form.

1. Pacha & Shizen

 

Pacha in Andean thought represents the union of space, time, and the universe. It’s a holistic concept, referring to the world and its cyclical, interconnected nature—often seen in harmony with life’s rhythm and the cosmos.

Shizen (自然) in Japanese philosophy is often translated as "nature," emphasizing organic processes and the innate way things evolve without interference. It embodies the idea of nature as self-sustaining and cyclical, aligning with Pacha's notion of an interconnected, evolving reality.

Both Pacha and Shizen appreciate nature's balance, rhythm, and the uncontrived flow of existence, underscoring an interconnected view of life and environment.

2. Ayni & Wabi-Sabi

 

Ayni is the Andean concept of mutual reciprocity and balance in relationships, particularly with nature and the community. It reflects a moral duty to give back, creating a flow of balance and harmony.

Wabi-Sabi is the Japanese aesthetic principle that finds beauty in imperfection and transience. It values simplicity, humility, and the understated elegance of the imperfect.

In combination, Ayni and Wabi-Sabi illustrate a harmonious life path rooted in reciprocity, simplicity, and appreciation of the imperfect cycles of nature and human connection.

3. Yanantin & Kanso

 

Yanantin in Andean philosophy is the concept of complementary opposites working together, like feminine and masculine energies in harmony. It celebrates balance within duality, where opposites complete one another.

Kanso (簡素) is a Japanese principle of simplicity. It is about clarity, eliminating unnecessary elements, and achieving balance through minimalist design and thought.

Together, Yanantin and Kanso advocate for balanced dualities, where the interplay of simplicity and duality can yield harmonious and fulfilling experiences.

4. Tinkuy & Ma

 

Tinkuy is the Andean meeting of two forces or people that creates something new, often seen as a moment of transformative convergence.

Ma (間) in Japanese, often interpreted as "the space between," refers to the vital emptiness that enhances form. It’s the intentional pauses and silences that create depth in Japanese art, music, and life.

In tandem, Tinkuy and Ma represent transformative encounters and the power of space, where intersections and pauses allow for new forms and experiences to emerge.

5. Sumak Kawsay & Zen Mindfulness

 

Sumak Kawsay translates to "good living" in Quechua, encapsulating a life of harmony, community, and respect for nature. It emphasizes collective well-being over individual gain.

Zen Mindfulness centers on the present moment and awareness without attachment or judgment, cultivating peace and balance within oneself and the environment.

Both promote a harmonious, mindful existence, valuing collective balance and present awareness in alignment with nature and community.

6. Pachakuti & Mujo

 

Pachakuti represents a transformative era or cycle in Andean cosmology, a time of upheaval and renewal where the world is reshaped. It embodies the concept of transformative change.

Mujo (無常) is the Japanese concept of impermanence, acknowledging that everything is in constant flux, and embracing this as a path to enlightenment.

Pachakuti and Mujo both embrace transformation and change, seeing them as vital processes in the cycle of growth and understanding.

7. Apus & Zen Stillness

 

Apus are sacred mountain spirits in Andean spirituality. They are guardians, revered for their wisdom, stillness, and enduring presence.

Zen Stillness is the meditative state of quietude and awareness, where one finds peace and insight within silence.

Apus and Zen Stillness both represent profound, quiet forces of guidance and insight, embodying reverence for stillness, wisdom, and timeless presence.

8. Mesa & Ichi-go Ichi-e

 

Mesa is a sacred space used in Andean ritual, a portable altar representing a microcosm of the world, where one connects with spiritual forces.

Ichi-go Ichi-e (一期一会) means "one time, one meeting" in Japanese, a concept of treasuring each unique moment as singular and unrepeatable.

Mesa and Ichi-go Ichi-e encourage presence and reverence, acknowledging the sacredness of each moment and space as an opportunity for connection and meaning.

 

 

 

 

 

These pieces illustrate a rich cultural dialogue, where Andean and Zen traditions come together to emphasize connection, impermanence, simplicity, and reverence. They advocate for a worldview that respects balance within nature, relationships, and the self, celebrating life’s cycles and interconnections.

 

 

 

 

 

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